Color correction
Video color correction: balancing exposure, white balance, contrast and shot-to-shot consistency.
Buldog Studio
Color that gives every frame character.
Buldog Studio is focused on color grading and color correction. Color correction, look development and finishing for television, documentary, film, advertising and commercial content — from technical balance to the final master.
About the studio
I have worked in television and commercial production for seven years. I gained experience on projects for TVP and TVN / Warner Bros. Discovery. After editing, color grading became the natural next step for me — the place where technical control meets visual storytelling.
I am a colorist based in Warsaw, Poland, working with film, television and commercial projects. I handle the entire color correction and grading process: from checking the material and developing the look to preparing the final master.
Services
A workflow tailored to the production — never the other way around.
Video color correction: balancing exposure, white balance, contrast and shot-to-shot consistency.
Color grading: building image character, separating visual planes, refining skin tones and shaping color with intent.
Developing a coherent visual language for a film, television programme, commercial or campaign.
Broadcast-safe checks, master exports, online versions and preparation of final delivery files.
Portfolio
Below are video color correction and color grading examples — television work and personal grading studies. Drag the vertical divider left or right to compare the image before and after.
Remote collaboration
I work remotely with clients across Poland and worldwide. You send the footage online, and we can define the grading direction using references, a conversation, or a Zoom / WhatsApp consultation. Once the grade is prepared, you receive the material for review on your own screen — without the pressure of a live session.
Secure online transfer and a quick technical check before grading begins.
I prepare the correction and look, and you review the result on your own screen.
Zoom or WhatsApp whenever we need to discuss direction or specific feedback together.
Delivery guidelines
Properly prepared material shortens the process, prevents errors and lets me focus on the image.
Working with an unusual setup? Get in touch →LOG, RAW or 10-bit camera material is preferred. Mezzanine files are also accepted:
I do not need the complete editing project or XML, AAF or EDL files. Send one fully edited master file in the highest available quality, without a baked-in LUT and without burned-in titles. Graphics and effects that must remain should be supplied separately or agreed with me before export.
Send 3–8 visual references, a moodboard or a short note describing the intended emotion, contrast, palette and approach to skin tones.
I normally prepare projects in Rec.709 / Gamma 2.4. I agree other color spaces and broadcast specifications individually before work begins.
You can deliver the material through Frame.io, Dropbox, Google Drive or a dedicated server. I arrange the transfer method and access after confirming the booking.
Process
I define the direction, format and deadline with you, then prepare a test frame.
I check the supplied master file, match the shots and build a technically stable foundation.
I shape the final character of the image and keep all feedback organized in one place.
I export the agreed versions and deliver the finished master files.
Contact
Get in touch directly. Send me an e-mail or call me — I will reply with availability, scope and a quote.
Click the e-mail address to open your mail app. Click the phone number to call directly.